Best use of text prompts in MidJourney AI. Tips on how to use it.

Key moments:
5:10 Reset Our Settings
5:42 Stabilization Medium
17:21 Portraits

Let’s take to the next step from the beginner level, in creating text prompts in MidJourney. get results, that we looking for. Using, commas, quotes, weights, positioning, and styling.
For upscaling, images recommended topaz Gigapixel: https://topazlabs.com/ref/1514/

Sci-Fi artists: Vincent Di Fate, Paul Lehr, Jim Burns, Frank Kelly Freas, Rafal Olbinski, Wayne Barlowe, Patrick Woodroffe, Bob Pepper, Wally Wood, Jean Giraud, H.R. Giger, Frank Frazetta, Robert M. Powers, Boris Vallejo, Julie Bell

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47 Comments

  1. As an old school viewer who has been watching and learning from you and Ami since your first Vue tutorials, let me say THANK YOU!! Not even 10 minutes into this video, and already you have solved that blasted suffix problem! Heading back to watch the rest now. I'm sure to come away with a ton of notes from this one!

  2. Правильно ли я вас понял, Владимир. запятые – разделяют объекты, кавычки их объединяют, а x2 двоеточие придаёт вес?🤔

  3. Hey. I didn't really had the chance to test MJ that much yet, but the pictures seems a bit "same-y", if that makes sense. They are all artistic, and look OK, but MJ seems to have a problem with understanding the prompts. This video was useful to see how weights and quotes are helping a bit. Still think Dalle and SD are better and understanding, but this will surely help if I try MJ out more in the future.
    It seems the prompts you added were pretty simple. With Dalle I was giving it a ton of prompts. main content, concept art, digital art, high detail, painting, in the style of… etc..
    By the way, what I didn't have time to test: How does MJ do with "sets of xx"? like "sets of pirate themed items on a table"? how good is it at generating sets of various items like "various potion bottles" etc. I'm interested to see if it can be used to create game concept art, which is like props and variations of items, like '10 different design of lanterns". Because it's good at generating posters, but I've not yet see MJ generations for the ones I mentioned before.

  4. is access to the community feed only available to subscribers? i'd like to follow the feed but just for ideas to use in stable diffusion with the prompts.

  5. How do you center an object (the main object of the composition) in the scene, so that it may fill the scene but not cropped by the framing? And, also, how do you regulate the distance of it from the camera? I have asked about those things in MD's Discord channel but the answers I received were all approximate solutions. So decided to ask here too. Any help will be appreciated very much. Thanks in advance.

  6. Tried to input your profile url to look at your creations. When pasted In it just takes me to my own profile. How do I get to your profile page? Thanks for all the help. Ed

  7. One of the issues i face is dictation how the concepts are positioned, posed or oriented. For example if i wanna design this /imagine: a young woman sitted , arms folded, space suit under falling strars, Luis Royo. It wont give any good results

  8. Your "eating cheese" example is spot on with what's been driving me crazy with MJ. I was trying to render a character sitting on a wheelchair and just could not got a satisfactory combination no matter what mix of syntax I used. In general, composing different objects in a single scene in a way that makes sense is super hard.

  9. Thank you, Vladimir. I have been going back and forth wondering if I should spend money on MJ. Right now Im experimenting with CRAIYON and upscaling using a free site. This tutorial and demo is perfect for me. Your explanations are detailed and non-youtubey or self involved which I appreciate. Thank you. Subscribing now!

  10. Are you using some kind of extension on the browser? I usually see the whole text prompt as a single line (on multi artists) and not line separated with the +

  11. Thank you so much Vladimir for your tips. I have a big reccurent problem with MJ. Whatever i prompt in any style, any format, MJ create double things. For example, if i ask for a girl , i receive a girl with 3 legs or 3 arms or 2 bodys… It happens every other time and it's. Have this before? Could you help please to resolve this enigma? Cheers

  12. 1 question, i copied may "command" from many artist, apparently there's a reference image in their "command", but when i use the same image, with –test in their command,
    the robot tell me it's " invalid parameter" , or bcz i'm a 30$ tier user?
    thanks 🙂

  13. Another excellent tutorial. I really like your presentation style and the level detail. I may become a little obsessed with Mid Journey and your videos will open the door to so many possibilities. The coding course you mention sounds very interesting too. Thanks again. (BTW the tutorial length is good; I never skipped anything).

  14. Hmm. You spent most of the time just going through styles, which is clear how it works after couple of examples, instead of explaining how we could get a mouse eating cheese eventually.

  15. Thank you, Vladimir! I think I missed it, but how does the period (the dot) differ from the comma?
    For example at 31:00 I can see that you place dot after the styles, but separate the artists with the comma

    Thank you!

  16. This is very interesting, thank you! I’ve used up all my demo credits and I’m now on the fence as to what plan to get. I’m confused about two things here. It says in the settings that full quality is double the cost in credits but if you pay the $30 that doesn’t matter, does it? Also, I don’t understand if you do a specific command to retain the same space girl (for example) but only get the variations you request. Is that something having to do with the commas? Anyway, great video!

  17. I'm a newbie, but I've found out that you'll get radically different renders if you type — upbeta or — testp instead of –upbeta or –testp. NO space between minus signs and word! Though you will get some funky renders with the space.

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